Times were goin' boom and boom and bust
My little babies are all grown up!
Read all about the four hottest shots in my posse, hey willpower, in this week's SF Bay Guardian.
Refresh your memory by listening to the dirty scoundrel love ballad, "Hundredaire" that I posted way back before they were of cover girl status by clicking these magical words.
Fiona Apple's new album, Extraordinary Machine, produced largely by the wildly successful and geniunely brilliant Jon Brion (of Eternal Sunshine of the Spotless Mind and I ♥ Huckabees celebrity) is currently being held hostage by Sony. I know that this is way old news, but the more I listen to the tracks I have, the sadder I get. The suits think that there's no market for an Apple album right now, but if Brion's success of late proves anything, it's that Fiona Apple's style and songwriting is more relevant now than it's ever been. Click on the image below to listen to one of her exclusively available tracks (my favorite so far), "Used to Love" and visit www.freefiona.com for more information on how to get in on the campaign to FREE FIONA!
posted by Patrik @ 2:30 PM
9 Comments:
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this record deserves to be released! we have the thing on mp3, not the same. . . . i want this in my greasy, pot-stained fingers, daggnnabbitt!
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Hello. Prompt how to get acquainted with the girl it to me to like. But does not know about it
I have read through one history
Each of you has your personal story; it is your history. Keeping a diary or writing your feelings in a special notebook is a wonderful way to learn how to think and write about who you are -- to develop your own identity and voice.
People of all ages are able to do this. Your own history is special because of your circumstances: your cultural, racial, religious or ethnic background. Your story is also part of human history, a part of the story of the dignity and worth of all human beings. By putting opinions and thoughts into words, you, too, can give voice to your inner self and strivings.
A long entry by Anne Frank on April 5, 1944, written after more than a year and a half of hiding from the Nazis, describes the range of emotions 14-year-old Anne is experiencing:
". . . but the moment I was alone I knew I was going to cry my eyes out. I slid to the floor in my nightgown and began by saying my prayers, very fervently. Then I drew my knees to my chest, lay my head on my arms and cried, all huddled up on the bare floor. A loud sob brought me back down to earth, and I choked back my tears, since I didn't want anyone next door to hear me . . .
"And now it's really over. I finally realized that I must do my school work to keep from being ignorant, to get on in life, to become a journalist, because that's what I want! I know I can write. A few of my stories are good, my descriptions of the Secret Annex are humorous, much of my diary is vivid and alive, but . . . it remains to be seen whether I really have talent . . .
"When I write I can shake off all my cares. My sorrow disappears, my spirits are revived! But, and that's a big question, will I ever be able to write something great, will I ever become a journalist or a writer? I hope so, oh, I hope so very much, because writing allows me to record everything, all my thoughts, ideals and fantasies.
"I haven't worked on Cady's Life for ages. In my mind I've worked out exactly what happens next, but the story doesn't seem to be coming along very well. I might never finish it, and it'll wind up in the wastepaper basket or the stove. That's a horrible thought, but then I say to myself, "At the age of 14 and with so little experience, you can't write about philosophy.' So onward and upward, with renewed spirits. It'll all work out, because I'm determined to write! Yours, Anne M. Frank
For those of you interested in reading some of Anne Frank's first stories and essays, including a version of Cady's Life, see Tales From the Secret Annex (Doubleday, 1996). Next: Reviewing and revising your writing
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